Divorce Court

I sit here. An only child. Satan and God are battling for custody. I have two daddies! But they are not together. They have never been together.

I sit staring straight ahead, but my concentration has the strength of a dead dandelion. One suggestive exhale and the seeds of doubt loosen and drift, land and root.

Satan’s outfit is a scientific study of cool. Classification: self-consciously careless. The tight tailored black pants with extra length that gathers around the boot. The oxford shirt with the sleeves rolled up. The slicked-back hair with a few strands falling forward. Some would say he’s always closing a deal; he would say he’s always “gaining agreement.”  He walks to my side, gently curls the hair behind my ear and speaks softly into it. The words are fur handcuffs – individuality, dignity,  rights – that seem sexy, until you can’t squeeze out of them.  He places his hands on my shoulders, his body leaning into my back. The body heat is a current – natural, justifiable, persuasive – that makes me lean back into him.

God’s outfit? Even in the early ’90’s, in Seattle, it wouldn’t have been cool. Shapeless robe stitched of rags. Unshaven. Hair to His waist. Clean, though. And those eyes – the warmth and danger of glowing coals. I have a lot of time to look into those eyes, because they’re always looking at me. He doesn’t talk nearly as much as Satan; when He does it’s clearer, but more confusing. The words are ropes – submission, humility, self-denial – that bind and strengthen. He stands and opens His arms to me. The posture is a cross – humiliating, absolute, restorative – that draws me to Him.

I look for a judge, a jury, a door – there are none. Then I remember. The three of us have always been here. We will always be here. And my choice changes by the moment.

Roast

You, insecurity, you, ego, you, sexuality…you will not succeed. I have stories to tell, not syndromes to whine about. You will not succeed.

You may stand between me and my art and pick your nose and make candles out of your ear wax and blow spit bubbles – but I will not be embarrassed by your orifice exploration.

I will knock you over and my art and I will crash into one another “like a couple of taxis on Broadway,” a line which Thelma Ritter so simply delivers in Rear Window. You’re not even what you seem. You’re Satan wearing a sandwich sign, shaking your ass on the sidewalk, trying to get me to buy your bullshit. Not happening, hot stuff.

And I won’t be conned into becoming a critic instead of an artist. One requires observation, the other vulnerability. I know which one is worth it. Fuck off, flamer. It’s going to take more than a lack of money, lack of talent and lack of direction – start locating some more lack ofs.

Now I’m going to clean the apartment. If you think you’ve distracted me, devil’s cake, than you’re dumber than I thought. I just want to clean the apartment.